Case study Essay Example | Topics and Well Written Essays - 1250 words - 2

Case study - Essay Example Then came the contributions of Lee Gordon along with other famous American idols such as Jerry Lee Lewis, Eddie Cochrane, and Gene Vincent whose musical styles helped lay foundations to the pop culture of rock & roll in the country (Jitterbug, 2009). By the start of a new decade in the 60s, a significant number of the youth population in Australia were engrossed about the American ‘Rock and Roll’ which started hitting their airwaves also through artists like Buddy Holly, Chuck Berry, and Bill Haley and His Comets who inspired the Australians to initiate modern popular music recordings (Creswell & Fabinyi, 1999). As one product of this shared genre, Johnny O’Keefe became the first Australian rock star to have notched the first in the charts. Australians further gained appreciation of the ‘Twist’ and the ‘Stomp’ fads, the latter being based on American surf culture and about this time, 'The Beach Boys' earned wider acclaim on touring Aussie populace. Out of this influence emerged the surf rock band Billy Thorpe and the Aztecs. ‘The Beach Craze’ likewise was drawing Australian teenagers to consider spark for surfing and this new heap idea did make it to a trend among the youth at the time who looked up to Midget Farrelly after winning the Surfing World Championships at Bondi aside from the relevant music of ‘The Beach Boys’ and Little Pattie (Batstone & Pyne) which all the more enhanced the ‘Stomp’ fad era. The presence of Bob Dylan and Elvis Presley in the scene of pop culture and world tour served as another blast of sensation for Australian followers of the enduring American ‘Rock and Roll’. Because the American craft with music as such truly bore heights of motivation for the Australians to establish their own identity with rock & roll, the level of enthusiasm rose up in quest of individuals with the right set of potentials. Besides Johnny O'Keefe and Billy Thorpe and the Aztecs, Jimmy Little also managed to have gone the same way, becoming known with ‘Royal Telephone’ (Creswell & Fabinyi, 1999) and these Australian artists obviously adhered or at least exhibited significant inclination to American themes as reflected in the contents of their songs and general outfit thereof. Invasion of Australian culture by the British, in the similar manner, amounted to an equivalent degree of reception marveling at ‘The Beatles’ which essentially made Australians begin weighing options in the market where British and American alternatives coexisted. Billy Thorpe and the Aztecs dominated the Australian Top Ten charts with the Beatles. British acts had turned out to be more influential over the American acts in the long run especially upon the arrival of ‘The Rolling Stones’ to the sellout crowds and such events with the British idols marked the reception of Britain's prevailing ‘Mod’ fad during the mid-1 960s in major cities as Sydney, Melbourne, Brisbane, Adelaide, and Perth (Creswell & Fabinyi, 1999). ‘Beatlemania’ obtained enormous fanaticism of hundreds of thousands while several other bands from Liverpool like the ‘Merseyside’ (Batstone & Pyne) also made quite a remarkable impression to still numbers after numbers. As another consequence, Australian rock & roll group AC/DC was formed in 1967 through Malcolm and Angus who obtained production support from their guitarist brother, George Young of ‘The Easybeats’ whose pop song ‘